BOOKS-+-ESSAYS-+- ARTICLES-+-INTERVIEWS-+- SHORT TEXTS
FEMINIST ART CRITICISM-+-THEMATIC ESSAYS-+-BRITISH ART-+-ON ARTISTS
September 2024 |
‘Feminist Art Activisms and Artivisms’ Prospectives Symposium 2024, Feminisms, Digital Art and Activisms, part of Digital Art and Activism Network and the Prospectives Symposium (SGSAH International Summer School) Scotland. |
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September 2024 |
‘Feminisms, contemporary art and world systems theories’ in ‘Re-Evaluation in Feminism and Contemporary Art’, Middlesex University. |
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September 2023 |
FLAME, Feminist Legacies in Art Museums in Norway, Trondheim (19-21 Sept) |
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May 2023 |
‘Feminist Art Manifestos’ Keynote speech, 18 May, preceding conference, ‘Gender Territories in Contemporary Art’, Arte y Genero, Universidad Malaga. 25-27 May |
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May 2023 |
‘What’s a Woman to do?’ Magdalena Abakanowicz 2-day symposium, Tate Modern/Magdalena Abakanowicz Foundation, 12-13 May |
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May 2023 |
‘The Social Figure of the Woman Art Critic’ Keynote speech, Bochum University, Germany, 4-5 May |
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Feb 2023 |
‘The Art of Punk Orientalism and Feminist Space’, Architectural Association, book launch of Sara Raza’s book The Art of Punk Orientalism, with Aikaterini Gegisian |
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June-July 2022 |
Chair and organiser of 4 online research seminars, Middlesex University, on De-/Anti-/Postcolonial Feminisms, with 14 invited international guests |
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October 2022 |
Feminist Futures Round-table, alpha nova & galerie futura, Berlin, organised by Katerina Koch, in conjunction with Empowerment: Art and Feminism exhibition at Kunstmuseum Wolfsburg |
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June 2022 |
Monica Sjoo Symposium, Beaconsfield Ltd, London |
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Nov 2021 |
‘Narrating Arts in Feminism and Eastern Europe’ Institute of Art History, Warsaw University, part of the Getty Connecting Art Histories initiative. http://cah.wnks.uw.edu.pl/ |
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Oct 2021 |
Cambridge School of Art - PGR Forum - Prof Katy Deepwell on Feminist Art and Artivisms - Anglia Ruskin Creative Showcase |
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September 2021 |
‘The perversions of feminism(s) in neo-liberal thought and elements of their resistance in feminist artists’ works’ International Congress: A neoliberal counter-revolution? Cultural Imaginaries, Political Subjectivities and New World Order (1979 – 2019). MACBA, Barcelona. Organised by Research projects: ‘MoDe(s). Decentralised Modernity(ies). Art, Politics and Counterculture in the Transatlantic Axis of the Cold War’ and ‘Fossil Aesthetics: A Political Ecology of Art History, Visual Culture and the Cultural Imaginaries of Modernity’ in collaboration with the Laboratoire de Recherche Historique Rhône Alpes (LARHRA) of the Université Grenoble Alpes. |
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September 2021 |
‘Anti-fascist activities from women artists in the Artists International Association (UK) in the 1930s’ for Women in the Art Scene (1804-1939) Zaragoza Museum, Spain. International conference from research project, ‘Women artists in Spain, 1804-1939’, Universities of Zaragoza, Complutense of Madrid, Valencia, and Seville. |
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June 2021 |
‘What is Feminist Research?’ Keynote speaker at Ikergazte, Bilbao. |
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Feb 2020 |
‘Jessica Dismorr: Women Artists in/out of Vorticism’ Radical Women: Jessica Dismorr and her Contemporaries |
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Jan 2020 |
‘Let’s Walk the Walk’, panel discussion, vernissage, Nothing Less!: 100 Years of Women’s Suffrage, Austrian Cultural Forum, London. |
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Nov 2019 |
Keynote speaker at Kjønnsforskning NÅ! – Centre for Women’s and Gender Research at UiT Norway’s Arctic University, Tromso, Norway |
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March 2019 |
Keynote speaker, Congreso Internacional Géneros y subjetividades en las prácticas artísticas contemporáneas –siglos XX y XXI– Comité ejecutivo Proyecto I+D Prácticas de la subjetividad en las artes contemporáneas. Arte y Genero, Universidad Malaga, Spain. |
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Nov 2018
Oct 2018
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‘Feminist Histories, Radical Women’ MASP, Sao Paulo, Brazil ‘Feminist contentions in art criticism: corrections, interrogations and exchanges’ for ‘Reframing the (Art) World – Commitment, Challenges and Crises of International Art Criticism since 1945 (AICA conference), Universite Rennes 2 |
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Dec 2017 |
‘Paradoxes of feminism and contemporary art’ in conference 'A Feminist Space at Leeds: 40 years of Griselda Pollock’s teaching' |
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Dec 2017 |
A Feminist Perspective on Dmitri Prigov’s Manifesto |
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Oct 2017 |
Keynote speech at Gender and Diversity Symposium, Tokyo University of the Arts, Japan. Lectures on n.paradoxa and feminism in contemporary art at Doshisha University and Seiko University, Kyoto |
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July 2017 |
‘Local/Global Dynamics in Feminism and Contemporary Art’ Middlesex University. Keynote and Organiser of international event, celebrating 20 years of n.paradoxa. http://www.ktpress.co.uk/localglobalconference2017.asp |
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June 2017 |
‘n.paradoxa’s MOOC: (mass open online course): an intervention in feminist thought and pedagogy on feminism and contemporary art’ Gender and Education conference, Middlesex University. |
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Nov 2016 |
'Women Artists, Feminism and Media: a case study of the new |
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Oct 2016 |
talk about Motherhood and art, ProCreate, MotherHouse at Iklectik, London |
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May 2016 |
(joint paper with Elina Suoyrjo) 'Womanhouse, Damenbilleder, MFK. Thinking about women artist's spatial projects outside gallery spaces' Centro de Arte Moderna, Fundacio Calouste Gulbenkian, Lisbon organised by University of Lisbon and AWARE. |
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June 2016 |
'Women artists, “magnificent exceptions”, feminist problems' |
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June 2016 |
Keynote speaker at Endarkenment conference, Dovecot Studios, Edinburgh (Organiser: Andrew Patrizio, ECA) |
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April 2015 |
‘Why 1989? What Happened to Feminism in Contemporary Art? |
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March 2015 |
‘Misogyny: Witches and Wicked Bodies’ ICA. Speaker and organiser of Create/Feminisms event for Middlesex University with Deanna Petherbridge, Lynn Segal, Alexandra Kokoli and K. Deepwell as speakers. |
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Aug 2014 |
‘Women Artists in Britain in the 1970s’ ‘All women art spaces as |
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July 2014 |
Lecture on ‘Feminism as the Token Lecture’ at Create/Feminisms |
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Jan 2014 |
Friday Salon: Being Visible: Feminism, Art & the Internet, ICA, London, (Chair: H. Reckitt). |
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Oct 2013 |
Keynote Lecture ‘Feminist practices in Slide/Tape in the 1970s/1980s’ for the ‘Slide/Tape Conference’ Loughborough University. Organiser: Mo White. |
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Sept 2013 |
Paper on ‘Bad Girls’ at ‘Good Girls’ Symposium to accompany |
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Sept 2013 |
Panel discussion More Light on 8th March with Olesya Turkina (Chair), Tania Antoshina, Elena Kovylina, Mila Bredikhina, Umida Akhmedova, 5th Moscow Art Biennale, Manege, Moscow. |
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June 2013 |
‘Recognising Dorothy Mead’ Talk at Borough Road Gallery, London on Dorothy Mead |
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June 2013 |
Talk with Fiona Rukschcio about her work Retaped Rape, |
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March 2013 |
Panel Discussion Africa and Its Diasporas with Sonia Boyce, |
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Feb 2013 |
Round Table panel discussion with Rosalind Blakesley, Nataliya Kamenetskaya, Natalia Glukyla, Natalia Budanova, Julie Solovyeva. Pushkin House at EBRD. |
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25 Jan 2013 |
‘Twenty-three Percent’ conference on Sanja Ivekovic, held at RCA, organised by Calvert 22, in collaboration with South London Gallery. |
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Sept 2012 |
‘Globalisation and Contemporary Art’, Winchester School of Art, Southampton University. |
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March 2012 |
‘Reflective solidarities: “I ask you to stand by me over and against a third”: Feminisms of Multitudes Session, Art Historians Association Conference, Milton Keynes. |
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June 2011 |
‘‘Women Artists in and out of Vorticism’ Repositioning Vorticism conference at Tate Britain to accompany exhibition: The Vorticists: Manifesto for a Modern World |
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March 2011 |
Discussion with Lynn Hershman Leeson, after
screening of her new film on the feminist movement WAR! |
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March 2011 |
Nancy Spero talk to accompany exhibition at Serpentine Gallery. |
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Feb 2011 |
‘What AICA does as an NGO’ paper for panel at College Art Association, New York |
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July 2010 |
Art and Feminism course: 3, Centro Cultural MONTEHERMOSO KULTURENEA, Vitoria-Gasteiz, Spain |
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Nov 2009 |
‘Gender Check: Femininity and Masculinity in Eastern European Art, 1960-present’ MUMOK, Vienna. Panel discussion. |
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May 2009 |
‘When is Feminism?: The Case of Sanja Ivekovic’ Van Abbemuseum, Eindhoven and BAK, Utrecht. |
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April 2009 |
‘Women’s Art as an International Project’ Moscow Museum of |
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Dec 2008 |
‘VIVA la revolucion’ Centro Cultural MONTEHERMOSO KULTURENEA, Vitoria-Gasteiz, Spain |
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Oct 2008 |
‘Talking Loud and Saying Something’ ELIA conference. Chair of Panel Discussion on Artistic Research. Transcript of discussion published in Art Monitor, University of Goteborg, Sweden, 2009. |
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March 2008 |
‘Geteilte Zeit/Shared Times’ European Academy, Berlin |
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Feb 2008 |
‘The Furious Gaze’ Centro Cultural MONTEHERMOSO KULTURENEA, Vitoria-Gasteiz, Spain |
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August 2007 |
‘Regendering Documenta’ with Judy Freya Sibayan, documenta 12, Kassel, part of the Magazines Project talks programme. |
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May 2007 |
‘Portals of Art History’ Sterling and Francis Clark Art Institute, USA. |
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April 2007 |
Keynote Speaker, ‘Repeat, Repeat’ Myriad conference, University of Chester |
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Feb 2007 |
III Encuentros Internacionales de Arte y Genero, Segunde Mesa: Arte y Ciberfeminismo, Seville, Spain (curator: M.Aizpuro) |
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July 2006 |
'Diasporic Futures, Women, the Arts and Globalization' Victoria & Albert Museum, London. Organisers: Kingston Univ., Univ. of |
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Dec 2005 |
‘What About Feminism?’ Panel, Stedelijk Museum, Amsterdam |
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Oct 2005 |
‘Claims for a Feminist Politics in Painting’ Contemporary Painting in Context, Danish Art Academy and Louisiana Museum, Copenhagen. |
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July 2005 |
Panel discussion, chaired by Marina Grzinic for Prologue: New Feminism/New Europe Manchester: Cornerhouse. Curators: Kathy Rae Huffman and Marina Grzinic |
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April 2005 |
Co-chair of panel with Britta Dwyer 'Women's Contribution to Visual Culture between the Wars, 1918-1939' Association of Art Historians Conference, Bristol. |
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May 2004 |
Timeframes in feminist art practices' The Little Garden project workshop, one-day symposium, Vendsyssel Museum of Art, Hjoerring, Denmark. |
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Feb 2005 |
Public talks at Museum of Contemporary Art, Kumamoto, Japan as part of two-year international consultancy for museum and Museum of Contemporary Art, Tokyo. |
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Oct 2002 |
'Coming Round the Mountain' panel discussion to accompany exhibition Mons Veneris: Female Geographies Austrian Cultural Forum, London. |
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March 2002 |
Speaker/Participant, Manifesta 4, Frankfurt. Curator: Daniel Birnbaum. |
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Feb 2002 |
‘Art and Feminism’ panel discussion, ARCO ‘02, Madrid. Chair: Uta Meta Bauer |
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Sept 2001 |
‘Cultural knowledge, genealogies and the problem of geo-political location(s) producing ethnocentrism(s) in feminist theory’ - ‘Women Artists: International Comparisons’ Bielefeld University: AG Bildende Kunstlerinnen. Chair: Prof Irene Below. |
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April 2001 |
Opening conference of exhibition Sanja Ivekovic: Personal Cuts |
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Oct 2000 |
‘Parallel and Plural Narratives’ - ‘Public/Private’ international symposium organised by Soros Centre and Pro Helvetia, Bratislava, Slovakia. |
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Sept 2000 |
‘Co-operation: international feminist art conference’. Dubrovnik. |
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March 2000 |
Institute for Visual Arts and Culture, lecture tour to Lagos, Nsukka,and Ahmad Bellu University, Nigeria. Organiser: Bisi Silva. |
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Feb 2000 |
Panel participation on 'Feminist Art Criticism', CAA, New York. |
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Sept 1999 |
Lecture tour to Dubrovnik, Rijeka and Zagreb. (for AICA in Croatia) |
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June 1999 |
‘Challenging the indifference to difference: the invention of feminist art criticism’- 'The Invention of Art Criticism' Archives d'Art Contemporain/ University of Rennes 2. |
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Nov 1998 |
'Between Conformism and Non-Conformism' Soros Centre,Vilnius,Lithuania. |
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Sept 1998 |
'Desire by Design' - AICA 1998 conference: ‘Transition: Changing Society and Art’ Tokyo: AICA, Japan |
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July 1998 |
'FACES' conference, Forum Stadtpark, Graz and talk at The Depot, Vienna. (republished in Bastard) |
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April 1998 |
Chair : panel 'Cultural Exchange: A Way to Knowledge or Prestige? 'Our Creative Diversity' UNESCO conference, Stockholm. |
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April 1998 |
Guest lecture 'What's Going on in London' |
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Feb. 1998 |
'Women and New Technology' Women's Caucus in the Arts |
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Nov. 1997 |
Cyber-knitting Event, 'Ostranenie', Bauhaus, Dessau, Germany. |
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July 1997 |
‘Transforming Feminism’ conference Lancaster University. |
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May 1995 |
'Constructing and Deconstructing the Body: Art and Anatomy
16th-20th Century' |
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March 1997 |
‘Women and Art’ conference, CCA Galleries, Glasgow |
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Dec. 1996 |
'Internationalism, Context, Attitudes and women artists' ‘The Last Four Years of the 20C’ conference |
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Oct. 1996 |
'Questioning Stereotypes of Feminist Art Practice' Feminist Aesthetics Panel for joint Canadian and American Associations of Aesthetics, Montreal, Canada. |
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April 1996 |
Paper ‘Feminist readings of Kant. Panel: Beauty and its Shadow’; |
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Feb 1996 |
‘Exchanging Views from Europe’ Women Caucus in the Arts, |
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July 1995 |
“On the Question of Paint : Paint-stripping continued...” |
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Oct 1994 |
“Hepworth and Her Critics” |
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Sept.1993 |
"Questions for Feminist Art Criticism" |
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April 1992 |
'Women Artists in Britain between the Wars' |
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April 1989 |
'Landscape and Feminist Art Practices', Association of Art Historians Conference, Institute of Education, London |
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June 1988 |
'Women and Art Education', Wakefield Women's Festival, Wakefield |
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March 1988 |
'Feminism, Painting and Postmodernism', Torn Halves |
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