Short Texts by Katy Deepwell

 

Art Critic, London

 

BOOKS-+-ESSAYS-+- ARTICLES-+-INTERVIEWS-+- SHORT TEXTS

FEMINIST ART CRITICISM -+-BRITISH ART-+-ON ARTISTS

INTERVIEWS ABOUT WORK-+-TEACHING-+-CONFERENCES/KEYNOTES

CONTACT-+-PROFILE

2021 ‘Online Moocs on art and feminism’, AD Magazine (NSEAD), ISSN 2046-3138, Summer 2021, Issue 31.
2019

‘Bisi Silva: a tribute – Passages’ Art Forum online (USA) (Feb 2019)
https://www.artforum.com/passages/bisi-silva-1962-2019-78889

2008

‘Toward a Consensual Definition of Contemporary Art?’
C-Arts Mag: Asian Contemporary Art and Culture vol 2. March-April 2008 pp.47-48

2008

‘Art Criticism: A feminist response’ in James Elkins (ed) The State of Art Criticism (Routledge, Cork University Press, 2008) pp.237-241

2007

‘Monica Sjoo’ catalogue essay in Kiss Kiss Bang Bang: 45 years of art and feminism (Bilbao: Museo de Belles Artes, 2007) Curator: Xabier Arakistain pp.72-74 (Spanish), pp.271-272 (English)

2004

'Love and Politics' special edition of Bypusk: Newspaper of the Engaged Creative Platform "Chto Delat?/ What is to Be Done?" (St Petersburg) No. 5. May 2004, produced by Russian collective Chto Delat? (Gluklya/ Tsaplya).

2002

‘Feminine(s). Identity from the perspective of gender’ Introductory text for El Cultural, published with the newspaper El Mundo (Spain). Special issue for PhotoEspaña June 2002 

2002

Contributor to Jochen Gerz's online project Anthology of Art Jan. 16 - 31, 2002 on http://www.anthology-of-art.net

2002

Pipilotti Rist and Dorothy Cross, PADT commissions at the National Theatre’ (London) Public Art Journal (Jan 2002)

2001 ‘Pyramids or Pillars’ review of European survey of Women in the Arts TIF: Womens Studies Newsletter Bielefeld University, Dec 2001
2001

‘Sanja Ivekovic: Personal Cuts’ (Austria) Camera Austria (October 2001)

2001

'Jessica Dismorr'   Volume 25  Allegemeines Künstlerlexikon  Leipzig: KG Saur Verlag München (2001) Editor: Ina Deicke.

2001

Entry on ‘Feminist Art Practice’ for Dale Spender (ed) Encyclopedia of Women’s Studies (New York: Routledge, 2001)

2001

Peg Zeglin Brand (ed) Beauty Matters (Bloomington and Indianapolis : Indiana University Press, 2000.) CAA Journal: online book reviews, Jan 2001

1998 Review of 11th Sydney Biennale  'In the Every Day: Critical and Theoretical Speculations on the 11th Biennale of Sydney'  Australia:Sydney: Artspace, 1998.
1998

Review of 'Manifesta 2'  Contemporary Visual Arts September 1998

1998

'Negotiating Models of Feminist Research'  Art History Vol. 21 No. 3, September 1998 pp.436-440

1997

'Impliquer les Créateurs dans le circuit traditionnel' (commentary on André Magnin) L'Oeil (Paris) Vol 12,1997 p.68

1997

‘Cairo Biennale’  Eastern Art Report.Vol IV, No.4. Spring 1997 p.56.

1996

P.Adams The Emptiness of the Image: Psychoanalysis and Sexual Difference & Liz Wells Viewfindings: Women Photographers: ‘Landscape’ and Enviroment Women’s Art Magazine April/May 1996 pp 29-30.

1995

‘Elaine Kowalsky’  Women’s Art Magazine  No.63  March/April 1995 p.27

1994

‘John Roberts’ Art has No History’  Women’s Art Magazine No.60 Sept/Oct 1994 pp.30-31

1994

‘Carol Duncan’s The Aesthetics of Power’  Women’s Art Magazine No.57 March/April 1994 p.28.

1994

'The Menace of the Spoken Word: Ida Applebroog'  Women's Art Magazine  Jan/Feb 1994 No.56 p.23-24.

1993

Obituary: "Sylvia Melland (1906-1993) Women's Art Magazine Nov/Dec 1993 No.55 p.25

1993

N.Broude & M.Garrard’s The Expanding Discourse: Feminist Art History' Women's Art Magazine, Jan/Feb 1993 No. 50 p.31

1991

'The State of Arts Funding' Art Monthly, Feb 1991 p.30

1989

'The Nude', Victoria and Albert Museum & 'The Artists Eye: Bridget Riley', National Gallery, WASL Journal, No. 30 Oct/Nov 1989 p.22

1989

'At Face Value....' Third Eye Centre, Glasgow & 'Marisa Rueda' WASL Journal, No. 29 June/July 1989  p.30

1989

'Edith Granger-Taylor' Gillian Jason Gallery, WASL Journal, No.28 April/May 1989 p.29

1989/1988

'Women and the Creative Arts: University of Kent, 15 Oct 1988'  WASL Journal, No. 26 Jan 1989/Dec 1988 p.4

1988

'The Society of Women Artists' Archives'  p.4 & 'Vision and Difference' by Griselda Pollock, WASL Journal, No. 25 Oct/Nov 1988 p.40

1988

'Identity - Further Questions' Tower Hamlets Women's Art Forum Newsletter, Nov 1988 n.pp.

1988

'The 1988 Society of Women Artists exhibition', WASL Journal, No. 24 Aug/Sept 1988 p.24

1988

'The Missing Culture Conference' (co-written with Pauline Barrie)  WASL Journal,
No.24 Aug/Sept 1988 p.5
'The Missing Culture Conference', Art Monthly, No.118 July/Aug 1988 p.36
'The Missing Culture Conference', Spare Rib,  No.193 August 1988 p.53

1988

Tower Hamlets Women's Art Forum 'Identity' exhibition, Chisenhale Gallery, Bow 
WASL Journal, No. 23, June/July 1988 pp.24-25

1988

'Victorian Women Artists' by Pamela Gerrish Nunn, WASL Journal, No. 22
April/May 1988 pp.44-45

1988

'WASL 1988 Diary Exhibition'  WASL Journal, No. 21 Feb/March 1988 p.23

1985

'Eileen Cooper at Blond' Artscribe, No. 52 July 1985 pp.64-6

1984 New Contemporaries (ICA) exhibition catalogue, work/artist's statement, and additional text on art education today.