Articles by Katy Deepwell

‘Corrections, Interrogations and politics of local/global exchanges in feminist art criticism’ Revista do Instituto de Estudos Brasileiros (Brazil). Guest Editor, Talita Trizoli. special issue on Feminisms. (87/ 2024). https://www.scielo.br/j/rieb/a/VtmC6xhFznsLTwSLhFSDDSp/

‘The politics and aesthetic choices of feminist art criticism’ Arts (MDPI) 12(2) 47(March 2023).Special issue on Beyond/Around Feminist Aesthetics. Also Guest Editor.https://www.mdpi.com/journal/arts/special_issues/
around_beyond_feminist_aesthetics

‘Monica Sjöö’s konst, liv och tankar’ (Monica Sjöö’s art, life and writing) Paletten #330 Dec 2022 pp.42-52. Published in Swedish and posted in English (March 2023). https://paletten.net/artiklar/the-art-life-and-thought-of-monica-sjoo

'Identity/Alterity re-de-constructed in Repetition and Difference: Verdi Yahooda’ for Art History Special issue on Remapping British Art: Three Moments of Modernism. Vol 44, issue 3. June, 2021. pp. 554-571. Guest editors: Sonia Boyce and Dorothy Price. https://doi.org/10.1111/1467-8365.12579

‘Witches, Feminist representations in contemporary art and Misogyny’ Pomegranate: International Pagan Journal (Equinox Publishing) published 2020; Vol 21, No 2 (2019) pp. 146-171. ISSN 1528-0268 [Article] (https://doi.org/10.1558/pome.37942 )

‘On feminist art manifestos’ Cambridge Literary Review, no. 11 (2018) pp.121-132;

‘Feminist problematic(s) in Contemporary Art’ Arta: Revista de arte vizuale (Bucharest) Nr. 11, 2014 Feminisme/Feminisms pp.8-10.

‘Can a journal act as a site of feminist resistance?’ TRECA (Croatian women’s studies special issue) vol XIII / no.2 (December 2011) Croatian, pp.105-114

Equal but different: questions about rights, statistics and feminist strategies for change’ Frauenkunstwissenschaft (Germany) (August 2009) English, pp.9-27

‘On Women Artists and Feminist Analysis’ C-arts Mag: Asian Contemporary Art and Culture (Singapore) August 2009. Introductory essay for special report on Asian women artists, also guest editor of this issue commissioning 12 writers from across Asia. pp.6-8. Report, pp.6-60.

‘Sanja Ivekovic's Women’s Room/Frauenhaus project’ Afterall, vol 15 Spring/Summer 2007 pp.83-88

Some Notes on Interviewing Artists’ and ‘Work/Labour’ Art Gamadas Vol 5 (Japan: Kumamoto, CAMK) 2005.4 – 2006.3 (2007) pp.479-489

‘Katy Deepwell and Judy Freya Sibayan in conversation on ‘Regendering Documenta’ at Documenta XII, part of the Documenta XII magazine project talks’ CTRL+ P (2007)
http://www.ctrlp--artjournal.org/uploads/4/2/9/8/42984941/ctrlp_issue9.pdf

'Models and Questions: issues in feminist art criticism' Art Gamadas (Japan: Kumamoto: CAMK) 2003.4-2004.3 (2005) pp.662-683

'De Kunstenaar also tussenpersoon opvoeder en bureaucraat: Kanttekeningen bij de Biennale van Liverpool, 2004' /' A review of the Liverpool Biennale, 2004' Context K #2 (2005) Belgium, CIAP pp.123-144 (text in Flemish)

'Women Artists in Europe' Jamini: An International Arts Quarterly (Dhaka, Bangladesh), October 2004 (republished in Likovne Besede/ Artwords (Slovenia) vol.69/70 winter 2004 pp.32-36).

‘Report on post-yBA situation: London in 2003-2004’ for Context K: Actuele Kunst (CIAP, Belgium) January 2004 pp.97-110. (text in Flemish)

‘Musing on Myths’ Paletten (Sweden) 253/254 nr 3-4 2003 vol. 64 pp.48-51 (text in Swedish)

'Challenging the Indifference to Difference: The Invention of Feminist Art Criticism' The Sandwich Man (The Netherlands) June 2003

'Warum is eine feministische Kunstzeitschrift immer noch notwendig? (Why is a feminist journal not redundant?') Olympe: Feministische Arbeitschefte zur Politik (Switzerland) Heft. 19 December 2003 pp.134-135. (text in German)

‘Geo-political shifts, Women Artists and impact of models of Globalisation in contemporary art.’ pH (Kalinigrad, Russia) Post-Geography (2002) pp. 22-29 (text in English/Russian)

‘Paradoxes in Contemporary Feminism & the role of the feminist art critic’ Bastard (Croatia) ISSN 1331-7296 December 1998 pp.60-63 (Serbo-Croat with English summary).

'Sassy or Not: Women’s Body Art’ Siksi: the Nordic Arts Review, (Stockholm) Vol X1, No.4 Winter 1996. 1997 pp.88-90 and follow-up to debate by Kristine Stiles, Laura Cottingham, Tania Orum, with concluding statement by Katy Deepwell in Siksi Vol.XII, No.4 Winter 1997 pp.88-89.
Republished in Russian in Deepwell/Bredhkina Anthology (2005).

‘Pains and Pleasures: Women's Performance and Body Art in the 1990's’ Contemporary Visual Arts Spring 1997.Issue 14. pp.38-43

‘Paradoxes and Orthodoxies' (issue 2, n.paradoxa online, Feb 1997)
'Questioning Stereotypes of Feminist Art Practice' (issue 2, n.paradoxa online, Feb 1997)

‘Reading in Detail: the work of the Nigerian woman sculptor, Ndidi Dike Nnadiekwe’ Nka: Journal of Contemporary African Art (America), No. 2, Fall 1996.pp.40-43.

'Mona Hatoum’ Tate Gallery Magazine , Issue 6 , Summer 1995. pp.32-35. Translated for Turkish Magazine, Anons July/August 1995 issue 53-4. pp.28-30 Translated & Reproduced in German in P.Weibel Inclusion/Exclusion (exhibition catalogue: Austria, Graz 1997) pp.219-220.

'Women Artists in Britain' Hard Times (German/English magazine, Berlin) No.47 Winter 1992 pp.51-5

'Art Beyond Barriers: the International Association of Women in the Arts Conference and Exhibition, Bonn, Germany, October 1989' WASL Journal , Nos. 31/32  Dec 1989/Feb 1990 pp.34-36

'Landscape and Feminist Art Practices' WASL Journal, No. 27 Feb/March 1989 pp.25-26

'Women in the Seven and Five Society'  WASL Journal, No.22 April/May 1988 pp.10-12